Some thughts on polyamory, loss, and superheroes

A few days ago, I had a visit from a friend I haven’t seen in quite some time. We spent a bit of time catching up on what the two of us have been up to in the past couple of years–her move, my move, my divorce, and so on. She’d heard some of the more lurid and wildly inaccurate details of the divorce, of course–not surprising, really, as it seems like everyone within a three hundred mile radius or so has heard at least something about the situation.

At one point, she said, “Well, it must have been easier on you than on her, because, after all, you’ve got Shelly.”


Now, this is an attitude I’ve encountered before, and it seems based on a conception of relationships that’s quite foreign to me. It’s difficult to know where to begin in taking that idea apart, as it’s founded on so many tacit assumptions and unspoken ideas about the way relationships work and the way love works that it’s hard to know how to start addressing them.

The first and most obvious problem with that idea is that it assumes human beings are interchangeable commodities, like toasters or DVD players. These things provide a service; a person who has two toasters can still make bread if one of them stops working, and a person with two lovers still has sex and companionship if one of the relationships ends, right?

Now, let’s step back for a moment and think about that. Suppose a family had two young children, and one of them was killed in a car accident. Would anyone say “Well, it must be easier for you; after all, you still have another child?” I suspect anyone who displayed that level of insensitivity to their loss could expect to get smacked. We somehow know instinctively that children aren’t replaceable; a parent who has lost a child is devastated regardless of whether he or she has another child or not. We know this; yet, somehow, it’s different if it’s a romantic relationship, right?


So why is it that romantic relationships are different? Why does everyone understand that children are not interchangeable, but still assume that lovers are?

For many people, I think the answer is the same as the answer to questions like “Why would you assume that if your partner has sex with someone else, he won’t need you any more?” and “Why would you assume that if your lover finds someone who’s prettier than you, or better than you in bed (for whatever value of ‘better in bed’), it will threaten our relationship.” And that answer is related to the reason that peopl are willing to risk losing their jobs to fly out to California and picket in support of Michael Jackson.


These people are utterly convinced of Michael’s innocence because they actually feel, weird as it may seem, intimacy with Michael Jackson, even though he’s a complete stranger to them and they’ve never met him.

This sense of intimacy is as false as it is shallow; and it’s not limited to Jacko. People feel a sort of wishful, warm fuzzy sensation often–about celebrities, about their partners, about that girl in the next cubicle that they have a secret crush on. This “intimacy” is not really intimacy at all; real intimacy lets you see right through a person and down deep into what Shelly calls their “superhero soul,” past appearance and mpast superficial details and into what makes them who they are.

There’s a Simpson’s episode in where one of the children asks Mrs. Rrabapple, the schoolteacher, “How will we know when we’re in love?” The teacher laughs and says “”Don’t be silly, most of you will never know love and will marry out of fear of dying alone.” Sadly, I do believe that for many people, it’s the truth. It seems to me that the world is filled with people who don’t want intimacy, who don’t like it and don’t trust it, who don’t take the time to really see their partners’ “superhero soul” and don’t want anyone seeing theirs. Remove intimacy from a relationship, though, and suddenly people do become interchangeable. Suddenly people do become vehicles for services. Suddenly there’s nothing particularly compelling about them; “Well, Betty was a redhead who liked tennis, and Lauren is a blond who likes golf, but basically I get the same thing from both of them. Lauren is prettier than Betty, so I think I’ll replace Betty with Lauren.” And I think that somewhere, deep down inside, some people realize that they don’t have any deep intimacy with their partners; many petty jealousies and insecurities reflect this. “I don’t want my partner looking at anyone prettier than me…” (…because, really, there’s nothing particularly compelling about my relationship with my partner; my partner doesn’t really see me, and yes, my partner would replace me with someone prettier if I let him).


Once you’ve seen down into someone’s superhero soul, once you’ve cut past all the clutter and really seen someone for all they are and all they can be, then that person becomes absolutely unique and absolutely irreplaceable in your eyes. At that point, nobody can replace that person; at that point, if you lose your relationship with that person, it leaves a hole in your life nobody else can fill.

Of course, there’s a cloud around every silver lining. The downside is vulnerability; if you let someone really see you, that person knows you for who you are–good and bad. You’re vulnerable like nothing before; your relationship shines a light on all your faults and personal failings and quirks and little neuroses, and to someone not accustomed to real intimacy, I’d imagine that’s pretty scary.

Now, you might ask why someone would want a relationship without intimacy, and I’d say “for the reason Mrs. Crabapple said. Fear of dying alone.” Even a shallow relationship is better than being alone, no? So people engage in relationships that are more or less interchangeable, with partners who are more or less interchangeable, and they invest a great deal of emotional energy into making sure that their partners don’t replace them with someone else–because, hey, then they’d be alone.


Personally, I think that fear of being alone is a lousy reason to be in a relationship. If I had a partner who was willing to replace me because she found someone better looking or better in bed or (god forbid) a better cook than I am, I’d want to find out sooner rather than later. To my way of thinking, preventing your partner from talking to or spending time with other people through fear of being replaced is exactly backwards; if I’m that easily replaced, I want to know, because that’s not a relationship I want to invest in. But that pesky fear of being alone is hard to short-circuit, isn’t it? “If I lose my partner, I’ll be alone, and nothing is worse than that.

Funny thing, though. If you can look at someone and really see them, if you have developed the skills to see another person’s superhero soul, you will never be alone–it’s not going to happen. Doesn’t matter what you look like, or how good you are in bed, or even (thankfully) how good you are in the kitchen.


There is another cloud around the silver lining, though. A person who’s unique to you can’t be replaced–and that means it does not matter how many partners you have, once that person is no longer in your life, it’s going to hurt. Nobody else will make it better. It’s not about getting the things you need from your other partners; it’s not about having another toaster, so you can still make toast. A partner who is unique is irreplaceable. We know this about children; it’s time, I think, we understood this about lovers as well.

A post about music

I have a couple of posts brewing, about AI and Turing machines and human consciousness and drunken goth chicks, and about common misperceptions in polyamory. However, chipotle tagged me to do a “six favorite songs” meme, so I’m doing that instead. Without further ado, and in no particular order:

Evanescence, Lies

Evanescence is an interesting group. It’s rare to find a female-fronted pop band that has anything interesting to say, or that does anything novel lyrically or musically; it’s rarer still to find a female-fronted pop band that can successfully combine elements from many different musical genres and create something novel that still hangs together well. Their first album, Origin, is virtually impossible to find in the United States (Fallen is billed as their “first album” here in the US, even though it’s the second). Lies is a meld of old-fashioned pop and thrash metal, which works better than you might think.

Linkin Park, In the End

A lot of the music I like lives on the intersection of what seems to be radically different genres, and creates novelty out of the chaos. Linkin Park combines rap, alternative, and a dash of metal, and does it brilliantly; everything they do is good. They’re rather like Shakespeare in that regard–they really are quite good, in spite of all the people who say they really are quite good.

Sisters of Mercy, Driven Like the Snow

No list of mine would be complete without some old-school goth, and you can’t say ‘old-school goth’ without also saying ‘Sisters of Mercy’ in there somewhere, unless perhaps you’re saying something like ‘I don’t know a damn thing about,’ but I digress. I was introduced to Sisters of Mercy by an old friend’s girlfriend, during a time in the ongoing slow-motion trainwreck of his romantic life she took a moment off from cheating on him, getting engaged to someone else, breaking up with him, getting back with him, cheating on him again, cheating on him yet again, breaking up with him, getting back together with him, cheating on him again, and marrying some other guy without telling anyone, just long enough to make me a mixed tape of Sisters music. I never did thank her properly for that. Sisters is smart, danceable, witty, and takes incredible glee in playing with language.

A Perfect Circle, 3 Libras

Shelly and I have been spending a lot of time lately talking about (and she’s been writing about) what it means to be “seen” by your lover–what it means to have a partner who really gets you, who sees past all the surface stuff and right down into your superhero soul. That’s precisely what this song is about–or rather, more precisely, this song is about a person whose partner doesn’t get it. To be fair, I’d venture a guess that the overwhelming majority of the human beings walking, crawling, and driving around the surface of this planet also don’t “get” it, and have never really seen their partners or been seen by them, which is why people will say such insipid things as “Well, if you’re poly, then that makes it easier to lose a partner, because you still have another partner to fall back on, right?” But then again, on my more cynical days I think a walk through the ocean of most people’s soul will scarcely get your feet wet.

Front 242, Headhunter v1.0

What can I say? The best song to dance to ever written, by anyone, in any genre, in the entire history of humankind, period.

Apoptygma Berzerk, Burnin’ Heretic

Sometimes a little too close to home in the Theocracy of Ayatollah Bush the Second. I first heard this song some time after dumping the contents of datan0de‘s iPod onto my laptop during a party one evening, where it sat gathering (virtual) dust for some months before I listened to it, which is about the way it goes with music and me. When I did finally listen to it, I leapt from my chair and roared, “Hear me! This is the best fucking song EVER!” (Well, actually, I didn’t. But I did think “Hey, I really like this…”)

Now, according to the rules of the game, I’m supposed to tag three more people and get them to do the same thing in their journal. So, just for the hell of it (and because i do so love exercising power), I tag datan0de, latexiron, and sarahmichigan. You’re it!

Bullshit! And other fun stuff

Spent most of the day yesterday with phyrra, nihilus, and nekidsteve, working on a role-playing game hat nihilus is putting together, and updating my Web site…props to sarahmichigan for her suggestions and proofreading.

Then, we watched a bunch of episodes of Showtime’s Penn & Teller: Bullshit! For anyone not fortunate enough to have seen this show…I can’t recommend it enough. It relentlessly skewers and debunks bullshit of all types, from the idea of the “traditional family” (a brilliant episode, which talked very positively about polyamory) to to ESP and “remote viewing” to feng shui.

And, after watching a large number of back-to-back episodes, I am pleased to announce:

The Unofficial
OFFICIAL PENN & TELLER: BULLSHIT! DRINKING GAME!

The rules, as with most drinking games, are very simple. The participants need their favorite libation of choice and a television set. Ready? Here we go!

As you watch an episode of Bullshit, be on the lookout for certain things. When you see your cues, drink up!

Things that are worth a sip

Take a sip of your beverage:

– Whenever Penn says “bullshit,” “asshole,” or “fuck”
– Whenever the show directly contradicts a statement made by a guest and provides evidence or a citation to back up the contradiction. (A citation provided by another guest counts.)
– Whenever the giant prop of the bull with the red horns makes an appearance (yes, the opening credits count)

Things that are worth a drink

Take a drink of your beverage:

– Whenever Penn says the exact phrase “And then there’s this asshole…”
– Whenever Penn insults God directly
– Whenever Penn insults a guest on that show before that guest has had a chance to introduce himself
– Whenever Penn insults a guest’s clothing
– Whenever a guest says something that makes Penn really, really angry
– Whenever Teller uses any kind of tool or implement to cut or pretend to cut any object

Things that are worth a chug

All players must chug their beverage:

– Whenever Penn compares any guest to a character in a movie, play, or television show
– Whenever Penn challenges God to strike him dead
– Whenever Teller removes any article of clothing, or anything approximating an article of clothing
– Whenever a naked person appears
– Whenever Penn says he never drinks. (The irony is just TOO delicious.)

Aargh! Or, when is writing not the same as WRITING?

Yesterday, i didn’t go into the office at all, but instead stayed home and spent the day working on More than Two, the book on polyamory I’m writing. An entire afternoon of sitting and staring at a blinking cursor, and I end up with three pages to show for it. I’m up to fifty pages total so far; at this rate, it’s going to take another year to finish this draft!

I actually have an editor now, who is not (bless her heart) pestering me for material in the slightest, but still. I can’t figure out why it’s turning into such a struggle. I write every day, on LiveJournal and newsgroups and mailing lists and whatnot; hell, i can sit down to respond to something in a newsgroup and end up writing two thousand words without even blinking. But a book? Every word is an ordeal. And it’s ot like I don’t know what to say; I know exactly what I want to say. It’s just proving to be remarkably difficult to say it.

And this morning, while I was stepping out of the shower, the cat caught and ate a bug. Eww!

Some thoughts on relationship rules

The main post office for the Tampa Bay area is near my office; I tend to have to go there fairly often. Attached to the post office is a United States Passport Office as well. Might not seem like that has anything to do with relationships, but I’m getting there, I promise…

The Passport Office is a single tiny room, about eight feet by twelve feet, and there’s a desk and about four or five chairs in it. Whenever I go to the post office, on any given day there are about 25 or 30 people waiting to get passports.

Now, I’ve never had to get a passport, but even assuming the people who work in the passport office are phenomenally efficient for bureaucrats (which I doubt) and can process each person in about two minutes (which I doubt), that means those 30 people are waiting there for an hour or so.

There’s no room in the passport office for thirty people, so every time I go to the post office I see a lot of people waiting in the tiny concrete courtyard just outside the passport office. The courtyard is ringed by a low concrete wall, about three feet high.

The wall is plastered with signs that say “Do Not Sit on Wall.” It seems clear what’s happened here–people go to the passport office, they end up waiting for an hour (or, likely, a lot longer), there’s no room in the office for them, and there’s no place to sit. So, they sit on the wall, somebody somewhere didn’t like people sitting on the wall, a rule was made, signs were printed and stuck to the wall.

What’s interesting is that it seems the bureaucrats did not think about why people were sitting on the wall. People were sitting on the wall because there’s no place else to sit, and because standing on concrete for an hour or more is no picnic. Had the bureaucrats actually wanted to solve the problem, there was no need to pass a “no sitting on the wall” rule; all they really needed to do was put some benches out in the courtyard, and let people sit on those.

I’ve been in relationships with similar rules. It seems like a very human impulse to say “I don’t like people doing X, so the way to address people doing X is to tell them not to do X;” it’s much more difficult to say “I don’t like people doing X. Why are these people doing X? Why don’t I like people doing X? Is there some change i can make in my environment such that people won’t do X any more, or some change i can make in myself such that when someone does X, it doesn’t bother me?”

In the past several years, I’ve tried to make a conscious effort, whenever I’m thinking about or talking about relationship rules, to identify the “whys” behind my behavior, the behaviors of my partners, and the things about those behaviors that are significant to me or to them, and then put chairs in the courtyard rather than putting signs on the wall. The results, both in terms of the way my relationship structures look and in terms of my own personal happiness, have been nothing short of amazing.

Sometimes, a little change in worldview makes all the difference.

Funny, sometimes, how life works.

Some time ago, my T-shirt site Villain Tees was featured in a computer gamer magazine. As it turns out, there’s a reason I’d never heard of that magazine; it’s a European, not an American, publication. As a result fo the article, I’m getting a lot more T-shirt sales, and business has really picked up…but most of the people ordering are in the UK, Sweden, or France.

And, inteestingly, the most popular T-shirt with Americans, “sud rm -r /” and “nanohazard,” is not the most popular T-shirt with Europeans. The most popular design with Europeans? “Machiavelli was Right.” Does that show that Europeans are more literate than Americans, or Americans are geekier than Europeans?


Yesterday, I was contacted by one of the editors of PC Home magazine, asking for permission to include some of my shareware software on a CD accompanying one of their upcoming issues, which is very cool. What’s interesting is that one of the pieces of software they want to include is Registry Permission Tool, a program I wrote to unlock a write-protected Registry file. I wrote it when i was dealing with a virus on a client’s computer; some viruses lock the Registry file to prevent a user from using RegEdit to remove virus calls from the Registry. This program has been banned by several shareware sites (such as TuCows) because these sites are afraid people in corporate or educational labs will use it to unlock a Registry file that’s been locked by the IT department for security reasons. Stupid, really; does anyone actually lock a Registry file as a means of controlling user access to the Registry? Wouldn’t this break, oh, most of the software out there?