Update #3 on the sex toy you can feel

A while ago, I had an idea on how to create a strapon that the wearer can actually feel, as though it were part of your body. The idea took off, so I started a company and commissioned an engineering firm to do a design proposal. I recently tested a first-generation prototype, and discovered that not only does the tech work, it works far better than we expected.

Things have gone a bit crazy since then. I’ve received an avalanche of support and interest, and I’ve been talking to folks from all over the place who want to see this device become a reality.

I’m working on a second generation prototype that’s a lot more sophisticated than the first-generation prototype. It’s an interesting bit of engineering, for sure.

Still quite crude, but I’m refining it very rapidly. Right now, the main area I’m concentrating on is sensor design. The second prototype will have much more sophisticated sensors and will actually be usable for fucking (the first prototype wasn’t really suitable for penetration).

We’ve also been doing tons of market research, and the results have helped steer us toward a design that will work well for a lot of people.

If you’re interested in keeping up with this project, we’ve set up a Mailchimp email list. Feel free to add your email to the list! You can find it here:

Sign up for email list: http://eepurl.com/bP8m4f

Feel free to publicize this link to anyone you think might be interested!

We’re hoping to present the second-generation prototype at this year’s Arse Elektronica convention in San Francisco in October. Stay tuned!

Want to keep up with developments? Here’s a handy list of blog posts about it:
First post
Update 1
Update 2
Update 3
Update 4

Threesomes and intrigue and kink, oh my!

As some of you may know, Gentle Readers, among all the other things I do, I write porn. Well, erotica, I guess. I’ve never been entirely clear on the distinction. Sex stuff. I write sex stuff. Novels about people having kinky sex.

Long novels about people having kinky sex.

These novels are published under a pseudonym, and I’ve just released a new one. It’s called Nineteen Weeks.

The premise of Nineteen Weeks is straightforward: Amy, a suburban housewife married to a successful man, discovers that her husband is having an affair. But after she catches him red-handed with his mistress, she decides to deal with his infidelity in an unusual way; since her husband and his mistress had been sleeping with each other behind her back for nineteen weeks, she demands that they give her back that time, and pledge themselves to her to do anything she asks for nineteen weeks.

I deliberately tried, in this book, to take every one of the tropes of a conventional romance and flip them all on their heads. The powerful man takes control of the shy and inexperienced woman? Nope. The torrid affair ends with them settling down? Not quite. The–well, you’ll have to read it and see.

Plus it might be the only porn novel that quotes Ovid.

Anyway, check it out! You can find it here. If you despise the romance genre and you like kinky sex, this book might be exactly what scratches your itch.

Now through the end of September, you can get it for $2.00 off using the coupon code XQ68N. And patrons who support me on Patreon get a coupon code to download it free!

Update #2 on the sex toy you can feel

A while ago, I had an idea on how to create a strapon that you can actually feel, as though it were part of your body. The idea went crazy, a lot of people expressed overwhelming support, so I started a company and commissioned an engineering firm to do a design proposal.

In the meantime, I’ve also been working on the idea independently of the engineering firm, so last week I put on my Mad Scientist hat1 and built a simple proof of concept.

Then I went to my friend Emily and said “hey, I have this prototype of a computerized strapon with sensors and a wearable computer and stuff, do you want to help me test it?”

“Sure!” she said, because my friends rock. (I love my life.)

So two days ago, I showed up at her house bearing the crude prototype. “Okay,” I said when we were safely in her bedroom, “this bit goes here, and that bit goes up in front like so…”

There were some design flaws in the first version–the wires leading from the computer to the electrode weren’t quiiiiiite long enough, so she ended up doing this one-legged dance trying to put it on. When it was all powered up and running (which looked quite odd–the sensors mounted to the big purple dildo all have little red lights that come on to show the sensor is working, so the overall effect looked a bit like a prop from a 70s science fiction porn flick), we spent some time adjusting the signal generator and making sure everything was working, and then got to it. I touched the sensors and had her describe what she felt. At one point, as I knelt in front of her stroking her cock, it suddenly struck me exactly what I was doing. “Man,” I said, looking up at her, “this is really obscene.”

“But Franklin,” I hear you ask, “how did it work?

Emily wrote a really good writeup from her perspective on her blog, appropriately titled “Brains, Bunnies and Boners.” Here’s an excerpt:

I stood sporting a sizable electrode-covered, purple erection as this man knelt before me stroking the blinking phallus. Looking dreamily into space, I concentrated on this new sensation and how to communicate it. He asked questions that had nothing to do with arousal and everything to do with programming or nerve density. It crossed my mind briefly that this was a strange situation. Covered in wires, half naked in front of a man I’m not intimately connected to, waxing poetically about the sensation of him passively stimulating my g-spot. Meanwhile he educates me on the corresponding connections between penis and vagina, sensitivity wise. […]

I see him touching the wirey and weird strap on, the sensation of that cock hitting my pubic bone becoming enough to fully trick my mind. The arousal of the plug flitting electrical currents over my internal nerves quickly translates into a thought of, “wow if he keeps doing that I’m going to get a hard on during science and that will be embarrassing.” Except logically I know I already have a hard on. A big purple one that he brought along for me to borrow. My brain has already made the adjustment in the five minutes we’ve been testing this to believing in the new genitals.

So the answer is it works really, really well. Far better than I expected, given how primitive the prototype was. Within minutes, it seemed her brain had internalized the dildo as part of her body; she said that touching the dildo felt like touching her. Which was amazing. I’d expected just to validate that the device could be made to work; I didn’t expect it to work that well.

I am actively pursuing making this device a reality. We’re currently enrolled in a venture accelerator program in Vancouver and we’re doing market research to validate the market for this device. Interested in being interviewed as part of that market research! Hit me up in email! franklin (at) franklinveaux (dot) com.

1 By which I mean my Mad Engineering hat. Well, technically, my Mad Engineering Magnifiers for Precision Soldering.

Want to keep up with developments? Here’s a handy list of blog posts about it:
First post
Update 1
Update 2
Update 3

Two Chaosbunnies in the Desert: On the taxonomy of ghost towns

Part 1 of this saga is here. Part 7 of this saga is here.
Part 2 of this saga is here. Part 8 of this saga is here.
Part 3 of this saga is here. Part 9 of this saga is here.
Part 4 of this saga is here. Part 10 of this saga is here.
Part 5 of this saga is here. Part 11 of this saga is here.
Part 6 of this saga is here. Part 12 of this saga is here.

As our journey around the Pacific Northwest unfolded, emanix and I slowly gained an awareness that not all ghost towns are the same. There is, in fact, an entire taxonomic classification of ghost towns–a phylogenic tree, if you will, of abandoned places.

The classic, Scooby Doo variety of ghost town–an entire town whose members have left behind, leaving empty buildings in their wake, is relatively rare. Ghost towns like that don’t usually last very long, unless they’re in high desert. The artifice of human hands is surprisingly fragile and crumbles quickly without human tending. Some of the ghost towns that had formerly be on our list, before we started validating them with Google Earth, are nothing but foundations scattered about in otherwise unremarkable landscape.

Some ghost towns are what Bunny calls “zombie towns.” They’re towns that were mostly or completely dead, then came back to life when the economic conditions changed. One ghost town we had planned to visit but then removed from our list is a classic example, an old mining town settled in the 1800s that became nearly deserted in the 1940s when the mine played out, then saw new life in 2011 when new mining technology made it possible to reopen the mine.

More common are ghost towns that aren’t really ghost towns. People still live in them; there are inhabited houses and ongoing business enterprises set in amongst abandoned houses. The town of Venango, Nebraska where I grew up is a semi-ghost town. Some of these ghost towns reinvent themselves as tourist destinations, playing up the “ghost town” mystique for the benefit of visitors.

Granite is a tourist ghost town. Being there is a bit like being on a very realistic movie set. There are still people living there–quite a few of them, in fact–and many of the abandoned buildings have little signs telling you what they once were.

Granite wasn’t all that impressive at first glance.

I have often been told not to judge a book by its cover. It’s advice that never made a whole lot of sense to me; if the cover didn’t matter, why not just put a blank cover with the book’s title on the front? Today, as co-owner of a publishing company, it makes even less sense to me. But the idea behind it has a small grain of truth. You can’t always tell from a first glance at something what you’ll get. First impressions can be deceptive. Something that doesn’t seem impressive at first might be far more impressive once you delve a bit deeper.

Sometimes, though, you can judge a book by its cover…and Granite was one such book. We hopped out of the Adventure Van and poked around for a while, waiting to be blown away by something amazing. Amazing things failed to happen.

We did both like this old dance hall, to be fair.

We knew it was a dance hall because a sign told us so.

That sign was probably old when mammoths walked the earth. Oh, the stories that sign could tell–skies filled with the leathery wings of great flying pterosaurs, the discovery of the western reaches of the New World by a strange species of hairless ape, Richard Nixon’s Southern Strategy.

The building is for sale, if you want it.

The same style of sign identified the old fire station and the old church. (It’s hard not to put “the old” in front of the remnants of abandoned places–the old Miller place, the old asylum, the old space shuttle Vehicle Assembly Building, the old Detroit.)

But we soon found ourselves bored and in search of wifi. There was a small combination convenience store/winter sports staging and supply area/restaurant at the edge of town, where we wandered in search of food and Internet access. They had wifi but told us guests weren’t allowed to use it, on account of the considerable expense involved in airlifting data packets to such a remote place.

They also seemed flummoxed by Bunny’s English accent and even more befuddled by her request for tea. It took a while, but they finally sorted out what “tea” was an a loose approximation of how to make it, and delivered, after considerable fussing, a beverage which was more like tea than you might expect from, say, a Sirius Cybernetics Corporation beverage dispenser.

We headed out of town, pausing only long enough to photograph this rather fetching ruin of the old car, located just a short distance from the old lodge right next to the old tree.

We headed out to our next destination, which we hoped would be less semi-ghost town and more authentic ghost town than Granite, and we–

“Hey! Pull over!” Bunny said. “What’s that?”

“That” turned out to be a cluster of ruins–not a town, precisely, but more a gathering, or perhaps clump, of old houses long since abandoned.

And it was awesome.

I stopped the Adventure Van off the road, a narrow and straight strip of highway that cut through the desert like a length of electrical tape placed by some unknown hand over an otherwise innocuous birthday cake, or something.

We hopped out, cameras in hand, and explored.

That’s an enormous mound of old tin cans, now rusting, behind that house.

This lovely, lovely old stove was slowly turning to dust beside the collapsed wall of one of the houses. At least I think it’s an old stove. I’m not entirely sure. That’s an old stove, right?

We cautiously poked our noses into one of the houses. The floor was littered with decades of detritus. There were some magazines from the 1940s lying scattered amongst the refuse and rubble.

The building next to it was in slightly better repair–but only slightly.

This was our first real jackpot–a completely serendipitous find that was absolutely magnificent in its decay.

We wandered around for a time. Eventually, a car pulled up next to the van. “Hey!” a woman said to Bunny. “I think you’re trespassing.”

“Okay!” Bunny said. That seemed to be enough for her, and she drove away.

I paused to get one last panorama of the scene before we left.

We hopped into the van. I put the transmission in Drive, and approximately two hundred milliseconds later had dropped the front of the van into a ditch.

We got back out. Bunny shook her head.

A car traveling the strip of electrical tape stopped and a lovely young couple got out. “Need a hand?”

I pointed to the van. “Yep. We’re in a ditch.”

I got back in. Bunny and the couple put their backs against the nose of the van. The wheels spun.

I wish I could tell you, gentle reader, what happened next. I feel that I can’t quite properly comprehend it myself. It seemed as if Bunny turned green and…swelled somehow. And roared a mighty roar, a roar to make the heavens tremble and brave men weep. The nose came up out of the ditch and the van lurched backward as though tossed like a Dixie cup in the mighty fist of Hulk Hogan, who was perhaps at a picnic with friends and no longer needed it, having consumed the combination of Kool-Aid and Pabst Blue Ribbon it once contained.

The couple waved cheerfully and drove away. Bunny climbed into the front seat, once again her normal size and color. “I think I popped the clasp on my bra strap,” she said. I stared at her, thankful that time and circumstances have never conspired to cause me to be in a fistfight with her, as she would without question crush me like a bug.

And we were off once again, heading down the electrical tape highway across the great frosted birthday cake of life, destined for more adventures which I shall relate in the next chapter of this tale.

eBook Design Illuminated

A short time ago, I was hired by Talk Science To Me to do the eBook version of Tantra Illuminated, a very lengthy academic work on the history of Tantrick religious traditions in India.

The book was large and beautifully designed, with a great deal of content from original Sanskrit sources. The design used a number of different, complex elements, including copious margin notes.

I’m in the process of blogging about the complexities of eBook design with non-English alphabets and complex layouts. Part 1 of the series is up on the Talk Science To Me blog. Here’s a teaser:

The project turned out to be far more daunting than I’d imagined, even knowing from the outset that it would likely be more complex than it first appeared. I could easily write a book on the various technical, layout and rendering challenges I encountered creating this e-book (in fact, that might be a good future project!), but we’ll just look at a few of the interesting potholes we encountered on the road to creating the e-book.

A tale of two diacritics

The text in Tantra Illuminated contains significant lengths of transliterated Sanskrit. Sanskrit uses a non-Latin alphabet for which a standard transliteration system called the International Alphabet of Sanskrit Transliteration (IAST) exists. This is the system employed by the transliterations in Tantra Illuminated.
The IAST relies heavily on Latin characters with diacritic marks. Most of these marks are supported by the majority of e-book readers, so I didn’t anticipate difficulty with the transliterations.

I was wrong.

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